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No one really understands how anything works — some basic principles are recognized and those we refer to as facts. But how it all holds together, or even the nature of the adhesives themselves, remains as much a mystery today as they were 100 or 1,000 or 5,000 years ago.

The truth is, we can explain how things work, but are at a loss to explain why they work. If we're going to be honest with one another, let's agree that we are no more prepared to offer any satisfying explanation than our naked ancestors, who squatted in terror at the clap of thunder. Our solution to this uncomfortable truth is to tell each other stories. Here are some stories I've told.

  • Les Flâneuses Inadvertentes: Meaningful Glances, Sure Steps in Varda and Godard

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  • Photographing The End: The Skyline As Necropolis

    Life is nothing but instability and disequilibrium…a tumult, continuously on the verge of explosion. —Georges Bataille

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  • Time Is Not On Our Side

    We do not work in stone although we may use stones to make a point.

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  • Content To Flesh Out "Flesh"

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  • The Infinite Pain Caused By An Infinitesimal Distance

    Tear sheets were delicate, and paper ads, torn from magazines or cut from newspapers, were prey to sharp points, ink stains, unwashed hands, and coffee rings.

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  • Ideas First. Words Follow.

    Ideas possess a peculiar magic.

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  • I Surrender To The Privileging Of Digital Media

    I will concede here and now the privileging of digital images over the physical representation of ideas, desires and ambitions.

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  • Shelf Life: The Fate of a Personal Library

    What is it that compels some of us to love books? What is it exactly we love and how do we demonstrate our affection?

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  • Berlin Symphony: Fantasia or Wish Fulfillment

    A cinematic fantasia? A salute to modernity? A hyper-kinetic montage of Berlin life, circa 1927?

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  • La Dolce Vita: Modern by Design

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  • Uninhabited

    I will argue in this paper that the correspondence between the idea of New York and the actual city of New York has grown increasingly tenuous.

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  • THE APPEAL OF HORROR

    Horror films edify, satisfy and entertain; they also obscure, repulse and distract.

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  • Gorbachev in Disneyland

    A kind of unintentional parody hovers over everything, a tactical simulation, a consummate aesthetic enjoyment, is attached to the indefinable play of reading and the rules of the game.

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